As the editor begins his task, he has thousands of feet of small individual scenes which have been photographed out of continuity and at various angles, close-ups, full shots, two-shots, silent shots, reaction shots, point-of-view shots, inserts, etc. . . for the ultimate selection as to performance, quality, and timing.
Jack W. Oglivie

As the editor begins his task, he has thousands of feet of small individual scenes which have been photographed out of continuity and at various angles, close-ups, full shots, two-shots, silent shots, reaction shots, point-of-view shots, inserts, etc. . . for the ultimate selection as to performance, quality, and timing.

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